Articles by "DP Lyle"

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Showing posts with label DP Lyle. Show all posts

On March 14, I was once again a guest blogger on DP Lyle, MD's excellent blog, The Writer's Forensics Blog. Here's the beginning of my blog post over there, with a link to the rest of it:

WRITING TENSE ACTION SCENES

Style that Sizzles_Final_mediumby Jodie Renner, freelance fiction editor and craft-of-fiction writer

I specialize in editing thrillers and other fast-paced, suspenseful fiction, and someone recently asked me how editing thrillers is different from editing other genres. That’s a huge topic, too much for one blog post, and would include differences in plot, characterization, pacing, word choice, and writing style, among many other considerations. For today, I thought I’d just talk about writing effective action scenes, which can also appear in romantic suspense, mysteries, action adventures, fantasies, and any other genre.

When your characters are running for their lives, write tight and leave out a lot of description, especially little insignificant details about their surroundings. Of course, if the details would somehow help them, then definitely include them.

Characters on the run don’t have time to sightsee, reminisce, deliberate at length, or have great long discussions. Their adrenaline is pumping and all they’re thinking of is survival. Show that in your writing style.

A few quick tips for writing strong action scenes:

~ Show, don’t tell (of course!).

~ Stay in the scene with the characters – don’t intrude as the author to explain anything.

~ Avoid lengthy discussions among characters or long, involved thought processes.

For the rest of this article, click HERE.


Jodie Renner is a freelance fiction editor who specializes in thrillers, mysteries, and other fast-paced fiction. For more info on Jodie’s editing services and her books, please visit her website. Jodie has published two books to date in her series, An Editor’s Guide to Writing Compelling Fiction: Writing and Killer Thriller, a short e-book, and Style That Sizzles & Pacing for Power, which is available in paperback, as an e-book on Kindle, and in other e-book formats. And you don’t need to own an e-reader to purchase and enjoy e-books. You can download them to your computer, tablet, or smartphone.

by Jodie Renner, freelance editor

Steve Berry
I attended Thrillerfest in New York City July 11-14, for the third year in a row. Had a blast! As always, it was highly informative, stimulating, fun, inspiring, and exhausting! A whirlwind of attending workshops and panels and madly taking notes, chatting with others, buying the latest books at the bookstore and lining up to get them signed, and just generally bustling around trying to make the most of a high-powered, jam-packed experience!

Donald Maass
I usually just attend the first two days, Craftfest, which is more bang for your buck for aspiring authors and even published fiction writers, with its in-depth workshops presented by bestselling writers on every aspect of writing fiction that sells - especially suspense-thrillers. This year I added a day of Thrillerfest. The Craftfest seminars I attended included excellent presentations by Steve Berry, James Scott Bell, Steven James, Donald Maass, Robert Dugoni and others. I also did some volunteering, including for Agentfest.

Right off the bat, I want to recommend a nearby hotel that will save you hundreds of dollars. Thrillerfest is at the Grand Hyatt Hotel on East 42nd Street, right beside Grand Central Station. Even with the special rate for conference attendees, it's expensive to stay there. I found a much more reasonably priced hotel, the Bedford, on East 40th, just two short blocks from the conference. My normal-sized, clean hotel room had a small fridge, a microwave, a coffee-maker, a safe, free Wi-Fi, a desk, a closet (of course!) and even a big, deep bathtub -- a rarity in NYC hotels! I had no complaints whatsoever about the Hotel Bedford and recommend it for future Thrillerfest attendees who'd like to save a bit of money.

Jodie Renner & Beverly Purdy
But back to Craftfest and Thrillerfest, the workshops and panels were excellent (more on those in future posts), and the cocktail parties were a blast! I really enjoyed networking with writers and others in the writing biz, especially the thriller-writing industry. I met and spent great times with three of my thriller-writer clients, California psychiatrist Beverly Purdy, Ian Walkley, author of action-thriller No Remorse, and Dara Carr, a very talented new thriller writer, all of whom very successfully pitched to many agents at Agentfest. I really enjoyed hanging out with Beverly Purdy (right) at the conference! Such an awesome person! Watch for her upcoming psychological thriller!


Jodie and Doug Lyle
Also enjoyed chatting with award-winning writer DP Lyle, Craftfest Director and VP, National Events for ITW, whose blog, The Writer's Forensics Blog, I guest-post on a lot.



Jodie with Shane Gericke



And overall friendly guy, thriller writer Shane Gericke, organizer of Agentfest and general "ambassador" of Thrillerfest.




Also enjoyed talking with James Scott Bell, writer and presenter extraordinaire, whose how-to books I'm always quoting, especially Revision and Self-Editing.

Robert Dugoni

Went to two excellent workshops by excellent thriller writer and engaging writing instructor Robert Dugoni, and chatted with him for a while.




Also met and chatted with "recovering lawyer" Diane Capri, author of the riveting Don't Know Jack (The Hunt for Jack Reacher series) and other crime fiction. And networked with many more authors and friends/colleagues from Facebook, Twitter, and various blogs. Highly stimulating!

Lee Child
Kathleen Antrim's interview of Lee Child was jam-packed and centered mostly around the controversy of casting Tom Cruise to play Jack Reacher in the upcoming movie entitled Jack Reacher. Lee Child was intelligent and very down to earth, friendly and approachable - and an inspiring speaker!



Sandra Brown


At the Love is Murder Cocktail Party, I got one of my all-time favorite authors, Sandra Brown, to sign the anthology she edited, and pose for a picture with me.




I'll definitely be heading back to Thrillerfest again next year, especially since I discovered that more reasonable hotel close by!

Jodie Renner is a freelance editor specializing in thrillers, romantic suspense, mysteries, and other crime fiction. Please check out Jodie’s website and blog, as well as her group blog, Crime Fiction Collective.
Jodie’s craft of fiction articles appear regularly on various blogs, and she has published two popular craft-of-fiction e-books in the series, An Editor’s Guide to Writing Compelling Fiction: Writing a Killer Thriller and Style that Sizzles and Pacing for Power.

Both are on sale at Amazon, and you don’t need to own a Kindle to buy and read Kindle e-books – you can download them to your PC, Mac, tablet or smartphone. Style that Sizzles will be out in paperback soon.

by Jodie Renner, freelance editor

Here are three of my articles on effective viewpoint in fiction, which appeared recently on DP Lyle, MD's blog, The Writer's Forensics Blog:

POV 101: Get into Your Protagonist’s Head and Stay There (for most of your story)
I’ve been editing fiction for years, and the most difficult concept for many of my aspiring author clients who write in third-person point of view (the most common POV in novels) is to portray their story world through the viewpoint/eyes/head of one character at a time, rather than hovering above them or ping-ponging back and forth between different characters’ viewpoints (head-hopping).

Point of view (or POV) simply refers to the character through whose perspective the story events are told. Ideally, we should only see, hear, smell, feel, and experience events as that character would—with no additional information provided “from above” by the author. This closeness helps your readers get to know your viewpoint character intimately, which makes them start worrying about him – and that keeps them turning the pages!

For the rest of this article, click here.


POV 102: How to Avoid Head-Hopping
In POV 101, I discussed the effectiveness of starting out your story in your protagonist’s point of view and staying there for most of the story.

But what if you want to show how other people are feeling? If they’re important characters, like the villain, a romantic interest, or a close friend or family member, you give them their own POV scenes, where you get into their heads and we see their thoughts, emotions, goals, aspirations and fears.

If they’re in the same scene as your main character, you show their thoughts, feelings and attitude through their words, tone of voice, body language and facial expressions. Say you’re writing a romantic suspense or mystery, and you’re in the heroine’s point of view, showing her thoughts, perceptions and reactions. The hero, whom she’s just met under unfortunate circumstances, is angry. You’ll show his thoughts and reactions, not from inside him at that point (What the hell is going on here? he thought. What’s she trying to pull off, anyway?), but by what the heroine is seeing and perceiving—his tense posture, hunched shoulders, clenched fists, furrowed brows, set mouth, clipped tone of voice, angry words, etc.

For the rest of this article, click here.


POV 103: Deep Point of View or Close Third

As I discussed in POV 101, in order to draw the reader in and grab her emotionally, every story needs to have a clearly dominant viewpoint character. We should meet that viewpoint character right away, preferably in the first paragraph, and the first chapter should be entirely from her point of view, so the reader knows whose story it is and can start bonding with her and rooting for her. When we see the story through her eyes, reacting as she does to her problems, it sucks us into the story and we want to keep reading to find out what happens to her.

In POV 102, I gave some tips for avoiding “head-hopping.”If we stick mainly with our protagonist, in his head and heart, with a bare minimum or no stepping back to describe things from the author’s stance (omniscient POV), we’re using deep point of view, or close third, which is a lot like first-person point of view, with the added freedom of switching to the villain’s or some other character’s POV when it suits our purpose. Deep POV is a powerful way of drawing your readers into your story quickly and making them worry about your hero right away, and keep worrying – which is exactly what you want!

But how do you go about this? Let’s suppose you’re writing a story about a macho, hero-type guy named Kurt, who defeats the villain, restores justice, and even gets the girl. It’s Kurt’s story so he’s your main viewpoint character. How do you make sure your handling of his viewpoint is as powerful as it can possibly be?

For the rest of this article, click here.


Jodie Renner, a freelance fiction editor specializing in thrillers and other fast-paced fiction, has published two books to date in her series, An Editor’s Guide to Writing Compelling Fiction: WRITING A KILLER THRILLER and STYLE THAT SIZZLES & PACING FOR POWER (Silver Medalist in the FAPA Book Awards, 2013). Both titles are available in e-book and paperback.  For more info, please visit Jodie’s author website oreditor website, or find her on Facebook or Twitter.
 


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